"Leni the Dancer" - An Oil Pastel Painting

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"Leni the Dancer"
Oil Pastel on Paper, 30cm x 40cm (11⅞" x 15¾")
 

For the longest time I have been struggling with getting hung up on details while painting. My oil pastels fixed that obsession for me, to a degree I can live with. You see, working with a clunky crayon with a diameter of 3/8" it is almost impossible to do really detailed work. To put in fine details, I have to figure out how to create the impression of them, or do it in such a roundabout way that it's almost not worth to paint them in.

For example, one can create a sharp edge by cutting the oil pastel with a knife. That edge will last for all but a couple of inches of line, so cutting the pastels is a huge waste at $2.00 a stick and the line is still rather fat compared to a sharp pencil or even a tiny brush!

The difficulty to paint details is a disciplining limitation of the medium that freed me from my obsession, mostly. Perhaps it will make me a better painter in time.
 

Schon seit langem kämpfe ich damit, mich beim Malen in Details zu verlieren. Meine Ölpastellkreiden haben diese Obsession für mich gelöst, und zwar in einem Maße, mit dem ich gut leben kann. Mit einer klobigen Kreide mit einem Durchmesser von 10mm ist es fast unmöglich, wirklich detailliert zu arbeiten. Um feine Details einzubringen, muss ich mir überlegen, wie ich Details vortäuschen kann, oder ich muss es auf eine so umständliche Weise tun, dass es sich fast nicht lohnt, sie einzumalen.

Man kann zum Beispiel eine scharfe Kante erzeugen, indem man das Ölpastell mit einem Messer abschneidet. Die neue Kante hält allerdings nur für ein paar Zentimeter. Bei einem Preis von 2,00 EUR pro Kreide ist das Abschneiden der Pastellkreiden eine gigantische Verschwendung, und die Linie ist im Vergleich zu einem spitzen Bleistift oder sogar einem winzigen Pinsel trotzdem noch verdammt dick!

Die Schwierigkeit, Details zu malen, ist eine disziplinierende Einschränkung des Mediums, die mich von meiner Besessenheit weitgehend befreit hat. Vielleicht werde ich dadurch mit der Zeit ein besserer Maler.
 

As is often the case, my painting is based on a reference photo from my collection. While I can't remember where I found the photo originally, I can assure you it came from a site like Pixabay or Unsplash and isn't encumbered by copyright considerations. If you feel a painting is "just a copy" of a photo I cordially invite you to learn painting for yourself. While that will take a lot longer than clicking the downvote button, it will teach you that a painting is a work in its own right, separate from whichever reference photo may have served as the inspiration.

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Thank you very much! 😀


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Considering the tools used the art is superb in flowing motion, perhaps the artist is too critical 🙂

@wulff-media
Happy Valentines!

Thank you Joan. I have to be my own worst critic - it's how I learn. Happy Valentine's to you as well. ❤️

Always difficult when you critical of your own work, final is flowing, has a lovely finish.

what a very nice work of art!

Thank you. 😀

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