I can shoot in cloudy weather! This confirms my previous experience with minimalistic, pastel pictures, as well as pictures taken in a high key.
But for all this, you need to be on a certain creative wave.
I would even say that there are great waves, and there are smaller waves.
Smaller waves are the same genres: street, landscape, reportage, graphics, minimalism, etc.
And bigger waves are a creative approach, that is, spots, pastels, contrast, black and white, flash.
It's like parallel dimensions in creative waves.
If I'm at a creative stage right now, where I see spots, shapes, lines, and geometry...that is, physics, it is difficult for me to find something in cloudy weather, since spots imply a lot of contrasting elements.
And once I was connected to color and light, and saw pastel cloudy subjects.
You can also see cloudy plots on the reportage-documentary wave.
When you are somewhere on the metaphysical level, where the lyrics of forms and lines prevail, then the overcastness cannot provide this.
Cloudy weather tells you to see black-and-white stories.
I honestly won't say how long I'll be on the wave of spots.
Maybe it's important to those who follow my work.
I'm not really. As it goes, so it goes. This life is multifaceted.
And if I suddenly found my chip?
And if this is zen in photography and this is the end point?
If I have questions, it means I haven't reached the limit yet.
This, by the way, pleases very much!
Otherwise, I would have to look for myself in something else.
And another provocative question: what if my whole life is not devoted to photography?
What if I find myself in something else later?
...It's scary to even think...
After all, I don't know anything else how to create more or less beautiful pictures...well, sometimes.