Mind Games and Messy Truths — Sometimes I Lie by Alice Feeney

in Hive Book Club9 days ago

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🧠 Twists? ✔️
👀 Suspicion? ✔️
😵‍💫 Unreliable narrator? Oh, absolutely.

If psychological thrillers are your jam, this book will mess with your head in the best way.


A Terrifying Beginning

'Sometimes I Lie' begins with our main protagonist, who is also the narrator, in a coma. She is trapped in her own body—she can hear the voices around her, people talking about her, talking to her, but she can’t respond. She can think, but she can’t move, open her eyes, or do anything. This immediately creates an eerie and claustrophobic atmosphere, pulling the reader into her terrifying predicament. I personally, get affected by such settings quickly so it worked for me well.

Being trapped in your own body is one of everyone's worst nightmares. I mean, we’ve all had those dreams where we are running from something but can’t move, you know? The book captures that same helplessness brilliantly, making it unsettling yet gripping. It was the right amount of disturbing for me.


A Multi-Timeline Narrative

The story is told in three timelines. One is the "Now" timeline, where she is in the coma. Then we have the "Then" timeline, which is a few days before the accident that caused the coma, and the "Before" timeline, which is a few years earlier when she was younger. Many psychological thriller books follow this structure—then, before, now, next—and while it’s effective, it can sometimes feel overused. It can get a little confusing, but I don’t mind that. However, the execution is crucial; if the timelines switch too quickly or aren't well-defined, it becomes frustrating rather than intriguing. Which fortunately wasn't the case for this particular book, as the timelines were distinct.

Adding to the suspense, the narrator strongly suspects that her husband had something to do with the accident that put her in a coma. This uncertainty looms over the story, making every interaction, every flashback, and every revelation feel significant.


A Protagonist with Many Issues

Our main protagonist seems to have a bit of OCD. It’s hinted at in different places throughout the book, but it’s not explored in depth. It felt like an interesting aspect that could have been developed more. On top of that, she’s dealing with mommy issues, daddy issues, sister issues, husband issues—basically, every issue you can think of. She’s about to lose her job, her husband is probably cheating on her, and she doesn’t have a good relationship with her parents or her sister. This overwhelming pile of personal struggles made her a fascinating yet frustrating character.


An Unreliable Narrator and Psychological Twists

The narrator is very unreliable, as is often the case in psychological thrillers, and I really liked that aspect. I love psychological thrillers more than regular thrillers like murder mysteries because they’re all about mind games. You never know what’s real and what’s not, what’s true and what’s false, you just keep guessing. Everything feels murky, and you’re right there with the character, trying to figure it out. This book does that exceptionally well, making you second-guess every detail.

Initially, everything was going fine, and I thought, "Okay, I know what's going on." Then, slowly, the threads started unraveling, and I began questioning everything I was reading. After that, it was twist after twist. I think the first half of the book is pretty good; it makes sense, and you understand what’s happening. But after that, things just keep getting messier and messier. You don’t know what’s real, who to trust, or what to believe. This constant feeling of unease and disorientation was what made the book stand out.

So yeah, that was really fun. The writing is very engaging. The author made sure the readers were hooked from the first page, and I definitely was. I was drawn in from the very beginning, and it was great. Even when the plot felt overwhelming, the writing style kept me invested.

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A Weak Foundation

However, I did have one major issue with the book. This whole story happened because our narrator was stuck in a bad situation—but she could have gotten out of it long ago, and very easily. I just couldn’t believe why she would still stay in such a horrible situation and put up with all kinds of nonsense. The premise relied too much on her staying trapped when, realistically, she had options.

The book was great, and the story was good, but the foundation it was built on felt weak and unconvincing. That’s the one thing I disliked about it. The author could have come up with many other reasons that would have made sense for the protagonist to stay in this bad situation, but she didn’t. It felt like a forced plot device rather than a natural progression of events. That was disappointing.


Final Thoughts

Overall, despite its flaws, the book was an engaging read. The psychological depth, the unreliable narrator, and the multiple timelines made it a thrilling experience. The plot twists were jaw dropping and it leaves you with questions long after the book is finished. If you enjoy books that mess with your perception of reality, this one is definitely worth checking out.

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Sounds like an interesting read and it looks like she bought her issues in wholesale 😂💀

Oh yes 😂 she's got them by the dozen

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The story is really good I would love to read it by myself. I think it's high time I've read books. 🌷

Oh yes totally! It'll hook you in from the first page

I've already read this book and I quite enjoyed it also if for me was not so memorable by the way nice review. ❤️

Oh you've read it!

Thank you for the kind words ♥️

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The way you present and describe it, it sounds like a novel of interest. A narrator character in a coma is a narrative device that can be very efficient, but, obviously, this is not enough; it depends on how that perspective is developed. Saving the differences, I remembered that extraordinary novel by Hermann Broch, The Death of Virgil, narrated from the vision of the dying. I like your review because you bring your critical sense into play. Thank you and best regards, @yugadi.

Thank you so much for this thoughtful comment! I completely agree — having a narrator in a coma (or close to death) can be a really compelling device, but it all comes down to how that viewpoint is handled. I haven’t read The Death of Virgil, but your comparison has definitely piqued my interest — it sounds intense and fascinating. I really appreciate you recognizing the critical lens I tried to bring into the review. It's always encouraging to know when it resonates!

That thing about being trapped in your own body is a total nightmare, like those horrible dreams where you want to run and you can't! The three timelines thing sounds interesting, although sometimes they make me a little dizzy if they're not well marked. But if you say they're well distinguished here, I'd give it a shot. And the touch about her suspecting her husband...what tension! What strikes me most is that the narrator is unreliable - I love those mind games in psychological thrillers! That thing about not knowing what's real and constantly doubting everything hooks me a lot. If you say this book does it well, I'm already writing it down. Good review!

Ah yes, being trapped in your own body is such a terrifying thought. I totally get what you mean about multiple timelines; they can get confusing fast if not done right, but this one keeps them distinct enough to follow without getting lost. The unreliable narration make it such a gripping read. That constant doubt and second-guessing pulls you right in. So glad you enjoyed the review — hope you like the book if you give it a shot!